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Another Is Waiting
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Vous avez sélectionné:
Another Is Waiting
Partitions à imprimer
22 partitions trouvées
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1
Another Is Waiting by The Avett Brothers - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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The Avett Brothers
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Another Is Waiting
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Musicnotes
Performed by: The Avett Brothers: Another Is Waiting Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains co...
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Performed by: The Avett Brothers: Another Is Waiting Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Alternative Country~~Folk~~Pop Rock~~Alternative Folk
$5.50 ≈
5.13€
Another Is Waiting by The Avett Brothers - Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
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Guitare notes et tablatures
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The Avett Brothers
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Another Is Waiting
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Musicnotes
Performed by: The Avett Brothers: Another Is Waiting Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains co...
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Performed by: The Avett Brothers: Another Is Waiting Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal/Chords, instruments: Voice;Guitar 1;Guitar 2;Guitar 3;Guitar 4;Backup Vocals; 10 pages -- Alternative Country~~Folk~~Pop Rock~~Alternative Folk
$5.50 ≈
5.13€
Un petit Bouquet for 2 cellos mp3
Un petit Bouquet for 2 cellos mp3
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Violoncelle
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Ãlveti Mátyás and MÃ
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Un petit Bouquet for 2 cellos
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David Warin Solomons
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SheetMusicPlus
Cello - SKU: A0.1103222 By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. 20th Century,Chamber,Classical. Full Performance. Duration...
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Cello - SKU: A0.1103222 By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. 20th Century,Chamber,Classical. Full Performance. Duration 190. David Warin Solomons #706118. Published by David Warin Solomons (A0.1103222). Duo inspired by a poem by Jacques Prévert: Le Bouquet Que faites-vous là petite fille Avec ces fleurs fraîchement coupées? Que faites-vous là jeune fille Avec ces fleurs ces fleurs séchées? Que faites-vous là jolie femme Avec ces fleurs qui se fanent? Que faites-vous là vieille femme Avec ces fleurs qui meurent? J'attends le vainqueur [What are you doing there, little girl, With those freshly cut flowers ? What are you doing there, young girl, With those dried flowers ? What are you doing there, pretty woman, With those faded flowers ? What are you doing there, old woman, With those dying flowers ? I'm waiting for the victorious one] In my mind there were initially several possible interpretations of the poem My original thoughts were that le vainqueur means the conquering Christ and that the woman is waiting all her life with flowers before a church - waiting in vain for her saviour another possibility is that the woman is waiting for the winner of her affections it could even be that le vainqueur refers to the invading German army but this would not explain the fact that she waits all her life but, finally, as Raphaèle Larazoni suggests, (and more plausibly in view of other poems by Prévert) the vainqueur is simply the winner in a war - there is never really a winner in a war, so the woman waits all her life in vain.
$4.00 ≈
3.73€
Seven Days Without Prayer
Seven Days Without Prayer
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David Kai
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David Kai
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Seven Days Without Prayer
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David Kai
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,C...
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Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Jazz,Rock. Full Performance. Duration 199. David Kai #708361. Published by David Kai (A0.1105114). The title for this song came from a plaque that I saw in a Christian book store. Jesus’ teachings about prayer from Matthew 7 or Luke 11 were also an inspiration. This song was first recorded by the Sellwoods gospel group. Seven Days Without Prayer words and music by David Kai ©1980 It’s a world where we depend on communication Through the wires and through the air information flows It’s an age where thoughts and words can cross the ocean It’s a shrinking world, but the space between us grows Though we talk to one another, there’s something missing We still need to speak from the soul, not just the mind We still need the oldest form of communication It’s available for free at any time The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak If a child should ask its father for bread and fishes Would that child receive a stone or a snake in its place? No, and if even earthly fathers will bless their children Won’t the heavenly Father bless and give you grace? So if you knock upon the door it will be opened If you speak unto the Lord you will be heard Look to Jesus, you will not be disappointed You will find he’s always faithful to his word The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak Makes one weak.
$1.99 ≈
1.86€
It Is Done
It Is Done
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Piano seul
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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David A
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It Is Done
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David A. Moody
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1012392 Composed by David A. Moody. Christian,Contemporary,Easter,Spiritual. Score. 5 pages. David A. Moody #4297425. Pub...
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Piano Solo - Level 3 - SKU: A0.1012392 Composed by David A. Moody. Christian,Contemporary,Easter,Spiritual. Score. 5 pages. David A. Moody #4297425. Published by David A. Moody (A0.1012392). Around twenty years ago I started playing around with a sound. It wasn't a normal sound, being 7 beats to the bar and alternating at times with 6 beats to the bar. Slowly it grew in me, to a draft version. Then, I moved to another country, and for almost 11 years I didn't have access to a piano or full length keyboard, so it lay waiting in my heart all that time, until recently, sitting at my new digital piano, the sound came forth. It is the sound of the darkness of battle, of Jesus wrestling the keys back from the devil in that one decisive blow on the cross, and then the exuberance of victory, and the cry, It is finished.
$2.00 ≈
1.87€
Another Is Waiting
Another Is Waiting
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Piano, Voix et Guitare
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Rock
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Rock
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Another Is Waiting
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
This edition: Interactive Download. Pop; Rock. Piano/Vocal/Guitar (chords only). 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.302549). - Piano/Vo...
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This edition: Interactive Download. Pop; Rock. Piano/Vocal/Guitar (chords only). 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.302549). - Piano/Vocal/Guitar (chords only) - Pop; Rock - Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
Another Is Waiting
Another Is Waiting
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Guitare notes et tablatures
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Rock
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Rock
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Another Is Waiting
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Pop; Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music (HX.300628). - guitar TAB - Pop; Rock - Hal Leonard - Digital Sheet Music...
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Pop; Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music (HX.300628). - guitar TAB - Pop; Rock - Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
The Avett Brothers: Another Is Waiting - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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The Avett Brothers
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Virtualsheetmusic
Instantly printable sheet music by The Avett Brothers for voice, piano or guitar of MEDIUM skill level. / pop,rock
Instantly printable sheet music by The Avett Brothers for voice, piano or guitar of MEDIUM skill level. / pop,rock
$6.97 ≈
6.51€
Avett Brothers: Another Is Waiting - guitar (tablature)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Avett Brothers
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Virtualsheetmusic
Instantly printable sheet music by Avett Brothers for guitar (tablature) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Avett Brothers for guitar (tablature) of MEDIUM skill level. / pop,rock
$8.97 ≈
8.37€
The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
28.00€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.72€
TROMBONE SONATA
TROMBONE SONATA
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ron Levy
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TROMBONE SONATA
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Thinkling Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1024003 Composed by Ron Levy. Contemporary. Score and part. 54 pages. Thinkling Music #5733147. Published by Thinklin...
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Piano,Trombone - Level 4 - SKU: A0.1024003 Composed by Ron Levy. Contemporary. Score and part. 54 pages. Thinkling Music #5733147. Published by Thinkling Music (A0.1024003). I. Da Dee gets its title onomatopoeically from the nursery rhyme-like quality of its opening measures. It is a playground taunt, a nursery rhyme - the Millennial Whoop in augmentation? The movement is in sonata form. II. Waiting for Sunrise emerged from a snippet of melody originally conceived for a solo bassoon piece. (It may show up in my Bassoon Sonata, in another form. I like to reuse and recycle). The way the movement unfolds was inspired perhaps by the grotto scene from Ravel’s Daphnis and Chloe. III. Clown Car The movement opens with a Surprise! gesture - a sort of musical clowning around. The second theme is a mambo bass line accompanying a soaring and hopeful horn line. There is some blues too, before a contemplative coda brings all to a reassuring, if slightly melancholic, close.
$15.00 ≈
14.00€
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
23.33€
Christ Arose, advanced piano solo
Christ Arose, advanced piano solo
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Piano seul
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AVANCÉ
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Robert Lowry
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Heather Knezevich
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Christ Arose, advanced piano s
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Songs of Praise
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1393895 Composed by Robert Lowry. Arranged by Heather Knezevich. Christian,Easter,Religious,Sacred. Score. 3 pages. Songs...
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Piano Solo - Level 5 - SKU: A0.1393895 Composed by Robert Lowry. Arranged by Heather Knezevich. Christian,Easter,Religious,Sacred. Score. 3 pages. Songs of Praise #977369. Published by Songs of Praise (A0.1393895). Low in the grave He lay, Jesus my Savior!Waiting the coming day, Jesus my Lord!This advanced piano solo portrays the joy of Jesus' resurrection. After the opening chords, the melody plays over a bass octave. It goes immediately into the second verse after a key change, then goes into the jubilant chorus. Up from the grave He arose, With a mighty triumph o'er His foes!After a brief interlude, the final verse begins with full, but hushed chords. Another key change leads into the final chorus. Hallelujah! Christ arose! My prayer is that this arrangement will inspire your worship as you reflect on our risen Savior. The arranger is an active church musician and welcomes your feedback.
$3.99 ≈
3.72€
DAS ESELLIED (THE DONKEY SONG) - German Band Karaoke - Oktoberfest
DAS ESELLIED (THE DONKEY SONG) - German Band Karaoke - Oktoberfest
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Traditional Bavarian Melody
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Dennis Ruello
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DAS ESELLIED
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Chicory Music
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SheetMusicPlus
Clarinet,Drum Set,Piano,Trombone,Trumpet,Tuba,Voice - SKU: A0.1071242 Composed by Traditional Bavarian Melody. Arranged by Dennis Ruello. Children,Folk,...
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Clarinet,Drum Set,Piano,Trombone,Trumpet,Tuba,Voice - SKU: A0.1071242 Composed by Traditional Bavarian Melody. Arranged by Dennis Ruello. Children,Folk,Multicultural,World. Accompaniment. Duration 123. Chicory Music #6087271. Published by Chicory Music (A0.1071242). DAS ESELLIED (The Donkey Song) is a classic Oompah band song from the early Oktoberfest days.The Bavarians love this song more than anyone in the world. They call it the Donkey Song, but the Germans call it Das Esellied. There’s even a yodeling chorus to the song.The song tells the story of a donkey waiting for his love Veronica, who is also another donkey.
$1.99 ≈
1.86€
DAS ESELLIED (THE DONKEY SONG) - German Band - Oktoberfest
DAS ESELLIED (THE DONKEY SONG) - German Band - Oktoberfest
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Traditional Bavarian Melody
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Dennis Ruello
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DAS ESELLIED
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Chicory Music
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SheetMusicPlus
Large Ensemble Accordion,Bass Voice,Clarinet,Drum Set,Piano,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.734505 Composed by Traditional Bavarian Melody. Ar...
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Large Ensemble Accordion,Bass Voice,Clarinet,Drum Set,Piano,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.734505 Composed by Traditional Bavarian Melody. Arranged by Dennis Ruello. Children,Folk,World. Score and parts. 15 pages. Chicory Music #6088095. Published by Chicory Music (A0.734505). DAS ESELLIED (The Donkey Song) is a classic Oompah band song from the early Oktoberfest days.The Bavarians love this song more than anyone in the world. They call it the Donkey Song, but the Germans call it Das Esellied. There’s even a yodeling chorus to the song.The song tells the story of a donkey waiting for his love Veronica, who is also another donkey.This Intermediate Level tune is perfect for your next Oktoberfest gig. It includes an optional D.S. al Fine to extend the performance time.
$14.99 ≈
13.99€
Allelujah from Motet Exsultate, Jubilate K 615 - Score Only
Allelujah from Motet Exsultate, Jubilate K 615 - Score Only
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Soprano and Brass Quintet
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Peet du Toit
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Allelujah from Motet Exsultate
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Peet du Toit
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1372453 By Soprano and Brass Quintet. By Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Classical. 18 pages. Peet ...
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Brass Quintet - Level 4 - SKU: A0.1372453 By Soprano and Brass Quintet. By Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Classical. 18 pages. Peet du Toit #956760. Published by Peet du Toit (A0.1372453). This religious solo motet was composed when Mozart was staying in Milan. During the production of his opera Lucio Silla which was being performed there in the Teatro Regio Ducale. It was written for the castrato Venanzio Rauzzini, who had sung the part of the primo uomo Cecilio in Lucio Silla the previous year. While waiting for the end of the run (from 26 December 1772 to 25 January 1773), Mozart composed the motet for his singer, whose technical excellence he admired. Its first performance took place at the Theatine Church on 17 January 1773, while Rauzzini was still singing in Mozart's opera at night. Mozart made some revisions around 1780. On 30 May 1779, a Trinity Sunday, a revised version was performed by Francesco Ceccarelli at the Holy Trinity Church, Salzburg. Another revised version was intended for Christmas. The manuscripts of the two Salzburg versions were discovered in 1978 in St. Jakob, Wasserburg am Inn. In modern times, the motet is usually sung by a female soprano.I was tempted to combine the soprano and a brass quintet. We have performed this arrangement quite successfully at many venues, including a national music festival (Wakkerstroom, South Africa, March 2023).
$25.00 ≈
23.33€
John Henry Leslie | Praise Ye The Lord (arr. for Brass Quartet)
John Henry Leslie | Praise Ye The Lord (arr. for Brass Quartet)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Classique
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John Henry Leslie
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Andrew Lamb
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John Henry Leslie | Praise Ye
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Andrew Lamb
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SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 3 - SKU: A0.1345874 By John Henry Leslie. By John Henry Leslie. Arranged by Andrew Lamb. 19th Century,Religi...
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Brass Quartet Horn,Trombone,Trumpet - Level 3 - SKU: A0.1345874 By John Henry Leslie. By John Henry Leslie. Arranged by Andrew Lamb. 19th Century,Religious. 29 pages. Andrew Lamb #930750. Published by Andrew Lamb (A0.1345874). 🎺 Elevate your brass quartet performance with this stunning adaptation of Praise Ye The Lord by English composer John Henry Leslie, meticulously crafted by Andrew Lamb! 🎶🎼 Immerse your audience in the rich harmonies and captivating melodies, skillfully arranged for a quartet of talented musicians:🎺 Part 1: Trumpet / Cornet / Flugel in Bb, Trumpet in C🎺 Part 2: Trumpet / Cornet / Flugel in Bb, Trumpet in C📯 Part 3: French Horn, Tenor Horn, Trombone / Euphonium / Baritone (B.C.), Trombone / Euphonium / Baritone (T.C.)📯 Part 4: Trombone / Euphonium / Baritone (B.C.), Trombone / Euphonium / Baritone (T.C.)🌟 With a medium difficulty level, this arrangement strikes the perfect balance between challenge and accessibility. Ideal for both seasoned performers and those looking to enhance their skills.🎉 Perfect for various occasions, this arrangement can be the highlight of your concert or recital. Its spiritual and uplifting tones also make it a fitting addition to any Church Service.🔥 This arrangement is not just another rendition—it's a musical journey waiting to be explored. Get ready to leave a lasting impression on your audience with Praise Ye The Lord Brass Quartet Adaptation by Andrew Lamb!
$8.00 ≈
7.47€
Taking Tea With Lady Grey (Opus 472) Violin, Viola, Cello trio - Score Only
Taking Tea With Lady Grey (Opus 472) Violin, Viola, Cello trio - Score Only
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Daniel Hay
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Taking Tea With Lady Grey
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Daniel Hay Music
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.1091269 Composed by Daniel Hay. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 12 pages. D...
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Small Ensemble - Level 3 - SKU: A0.1091269 Composed by Daniel Hay. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 12 pages. Daniel Hay Music #695438. Published by Daniel Hay Music (A0.1091269). This trio is a story. A story in the making, waiting for that moment it can be repeated to another amazed listener... This work for Violin, Viola, and Cello was also used in the soundtrack for https://www.youtube.com/watch?v=Qdu7azl9CR8 variously entitled Lady Grey or Taking Teas with Lady Grey. The YouTube flowing score was created for the composer by https://www.youtube.com/channel/UCEJkhBcPc4kMTHwN9OjlAZQ.
$11.95 ≈
11.15€
String Quartet No.2
String Quartet No.2
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...
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String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99 ≈
18.66€
Naturszenen Op. 3, No. 9 "Libellen in der Abenddämmerung"
Naturszenen Op. 3, No. 9 "Libellen in der Abenddämmerung"
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Piano seul
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AVANCÉ
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Contemporain
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Michael Swedberg
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Naturszenen Op. 3, No. 9 "
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1048636 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishi...
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Piano Solo - Level 5 - SKU: A0.1048636 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishing #653045. Published by Niska Music Publishing (A0.1048636). There is a playful, whimsical quality to this prelude. The music goes back and forth between phrases which have a more floating quality and those that create a feeling of sudden shifts in direction, much like the dragonflies of the title. As the piece draws to a close, the sun slowly falls below the horizon and the dragonflies take shelter for the night...awaiting another day.
$3.99 ≈
3.72€
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Another Is Waiting
